Last Friday night, 11/4/11, I attended the opening reception of Wendy Artin‘s new exhibition titled The Parthenon Friezes…this is her eighth solo show at Gurari Collections of Boston and certainly one the most profound I have ever experienced…with a pure passion for her ancient subject, she pours her heart and soul into each and every brush stroke…sharing more than her expert touch, she opens our eyes to a deeper beauty…
THE PARTHENON FRIEZES ~ WENDY ARTIN
“Wendy Artin’s November exhibition entitled THE PARTHENON FRIEZES, at Gurari Collections, is a demonstration of patience, endurance, visual insight and painting mastery. Galleried at the British Museum, the Parthenon sculptures enjoy world renown for their representational beauty, conflict of a storied past, and their sheer magnitude of sculptural presence. This new series of large monochromatic watercolor paintings are life-size in scale so as to best evoke the splendor of this ancient parade.” ~ press release
Gurari Collections
460 Harrison Avenue, South End of Boston
November 4 – November 28, 2011
“Wendy Artin’s Parthenon Friezes are meditations on works of art that have haunted her for many years. She is an artist of consummate skill, working in a medium over which she has complete control. However this skill never calls attention to itself. It is always used in service to the original sculptures. In these paintings she has been able to demonstrate the sensitivity and precision of her observations, but more significant – even miraculous – she has been able to convey the depth of her feeling – her wonder, her admiration, and her love for these ancient marbles.” ~ Alexander Purves, Yale School of Architecture, October 2011 (above ~ Wendy Artin and Alexander Purves at the opening reception)
“For years I have been dreaming of painting them. I wanted to spend a long time staring at them, drawing them, getting lost in the cracks and relief, understanding the rhythmic movement of the heads, the bodies, the legs.” ~ Wendy Artin
“Our first response to these extraordinary paintings is to enjoy the cinematic rhythm of the legs, the draperies, the bodies – the power of the overall composition. However we are well repaid if we take the time to let our eyes graze slowly over the surface of the watercolor – to watch the artist pull the forms from the paper. Her brush has caressed every contour. Our eyes follow her hand as it guides the water over the rag paper leaving some spots dry, drenching others – always alive, always becoming. Working back from the white of the paper, applying water and pigment, deepening the darks, she is excavating shadows much as a sculptor carves into a block of marble to reveal form.” ~ Alexander Purves, October 2011
photos by me, 11/4/11







































