above, photo from Vanity Fair, September 2001
“dare alla luce” ~ “to give to the light”
A vivid memory from 2010, that I’m certain will stay with me a lifetime, was meeting plein air artist Wendy Artin…her paintings and her kindness live deep within my heart…I want to say thank you Wendy, for creating such timeless beauty…I have a richer and fuller understanding of your subjects having lived them through your eyes…to experience your art is to see light and texture in a brand new way…for me, your work is always a new discovery and a treasured gift for my soul…thank you
Wishing you and your family a very happy new year…may 2011 be filled with new adventures and always filled with beauty
below, photo from Gourmet, Rome Edition, March 2003
quotes from Wendy Artin, Arts and Minds, documentary film by Julie Kucaj of Bravo Television, Canada 2002
“She’s very unusual because she does not sketch her subject first, she watches what the light creates in her composition, and she paints that effect, in other words she doesn’t even paint the figure, she paints the effect of the light on the figure…so sometimes it’s just one or two strokes of the brush, it almost looks like calligraphy, those quick quick studies…so that when you look at the drawing after it’s finished, you not only see what she was after, but the whole thing comes alive again, as though she were doing it right before your very eyes…it’s absolutely masterful” ~ Adele Chatfield-Taylor, American Academy in Rome
below, Laura Arms Locked, 2004, watercolor on Rives BFK, 8″ x 13″
“My models are just phenomenal, they work with me, and they put on these certain performances in the studio that are endlessly inspiring…” ~ Wendy Artin
below, Tamara Touching her Toes, 2002, watercolor on Rives BFK paper, 12″ x 7″
“They’re hard for me to do…it’s hard for me to get a page that’s satisfying…but that’s what the challenge is…that’s the beauty of it” ~ Wendy Artin
below, Tamara Reveuse, 2009, watercolor on Rives BFK paper, 23 x 20 cm
“She’s a perfect illustration of the undying value of the classical value. The work that Wendy does can look familiar at first glance because you’ve seen other drawings like it, other paintings like it, but the minute you really look at it, you realize that this is brand new and in a sense I find that very exciting and more contemporary than almost anything I’ve seen because she’s finding something in a traditional subject that has never been seen before.” ~ Adele Chatfield-Taylor, American Academy in Rome
below, Laura Wind, 2009, watercolor on Rives BFK paper, 20 x 34 cm
below, Piera, 2005, watercolor on Rives BFK paper, 10″ x 11″
below, Tamara on her Side with Foot in Hand, watercolor on Fabiano Ingres paper, 12′ x 9″
below, Laura in a Quick Stretch, 2004, watercolor on Fabriano Ingres paper, 7″ x 11″
paintings by Wendy Artin
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